I love living in Chicago and Buckingham Fountain is one of my favorite places here. I have lived within a half mile of it for years and I ride my bike over to see in nearly every day. But my relationship with this brilliant landmark goes back even further. When I was in college in summer time, I would take dates downtown to listen to the concerts in Grant Park and then walk to the fountain to watch the light show. In those less affluent times, I was able to buy us two rides on public transportation from the west side of the city downtown and back for $1.00. We would pack a little picnic and have a lovely evening. Times were simpler then.
Here is the official description of the fountain from its website: The Fountain officially opened to the public on May 26, 1927 and was dedicated on August 26, 1927. As the centerpiece of Grant Park—“Chicago’s Front Yard”, architect Edward H. Bennett (1874–1954) designed the Fountain to serve as the park’s formal focal point without obstructing the views of the Lake Michigan. Kate Sturges Buckingham (1858-1937) dedicated the structure to the people of Chicago in 1927 in memory of her late brother, Clarence, donating one million dollars for the Fountain.
Edward H. Bennett designed the monument in collaboration with French sculptor Marcel Loyau and engineer Jacques H. Lambert. Inspired by the Latona Basin at Versailles, the structure is composed of four basins clad in elaborately carved granite and pink Georgia marble. The Buckingham Fountain; however, is twice the size and re-circulatesapproximately three times more water than its French counterpart. Chicago’s fountain is also unique as it symbolizes Lake Michigan. Conveying the enormity of the lake, its major display uses as much as 15,000 gallons of water per minute and sprays water to a height of 150 feet from the ground. The massive lower basin features four sets of Art Deco style sea horses representing the four states that border Lake Michigan.
To create the sea-related bronze elements, sculptor Marcel Loyau studied the sea horse collection at a zoological institution in Paris. The fountain’s sculptural elements garnered Loyau the Prix National at the 1927 Paris Salon. The monument’s original design included colored lighting to emulate soft moonlight. During the dedication in August of 1927, John Philip Sousa conducted while his band played “Pomp and Circumstance” before an audience of 50,000 people.
For years, the fountain was entirely manually operated by two engineers who each worked a twelve-hour daily shift. Although the evening light show was first automated in 1968, the water continued to be manually operated until 1980, when the operations were fully computerized. From 1983 to 1994, the fountain’s computer was located in Atlanta. Today, however, it is on site and with a monitoring system in Arlington Heights, IL.
The Fountain has remained intact except for a brief theft of two carved fish heads from the fountain, weighing several pounds each. The fish heads were recovered when a salvage place was offered the pieces and the buyer thought they looked very familiar and reported them.
This iconic Fountain continues to be one of Chicago’s most popular tourist attractions.
I shot the first two pictures in the daylight this morning. The night one was from the web.